All Joachim Beuckelaer Oil Paintings

1535-1574 Flemish Joachim Beuckelaer Galleries b Antwerp, c. 1534; dAntwerp, c. 1574). Flemish painter. He came from an Antwerp family of obscure painters and seems to have spent his entire life there. He trained in the studio of Pieter Aertsen, who in 1542 had married Beuckelaers aunt; he became an independent master and also married in 1560. His earliest known work dates from that year, and his development can be followed closely to 1570. The example of Beuckelaers master remained decisive throughout his career. Not only did he take over Aertsens new repertory of secular subjects, he also completely adopted his stylistic idiom and manner of painting, so that it can be difficult to distinguish the two hands. Beuckelaer was, however, by no means a slavish imitator, and as regards execution he fully bears comparison with Aertsen.
 

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Joachim Beuckelaer Market Scene oil on canvas


Market Scene
Market Scene
Painting ID::  88990
  second half of 16th century Medium oil on wood cyf
  second half of 16th century Medium oil on wood cyf

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Joachim Beuckelaer Christ on the Cross oil on canvas


Christ on the Cross
Christ on the Cross
Painting ID::  88991
  1567(1567) Medium Oil on wood cyf
  1567(1567) Medium Oil on wood cyf

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Joachim Beuckelaer Beuckelaer oil on canvas


Beuckelaer
Beuckelaer
Painting ID::  89343
  1563(1563) Medium oil on oak cyf
  1563(1563) Medium oil on oak cyf

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Joachim Beuckelaer Slaughtered Pig oil on canvas


Slaughtered Pig
Slaughtered Pig
Painting ID::  89652
  1563(1563) Medium oil on oak cyf
  1563(1563) Medium oil on oak cyf

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Joachim Beuckelaer Market Woman with Fruit oil on canvas


Market Woman with Fruit
Market Woman with Fruit
Painting ID::  89955
  1564(1564) Medium oil on oak cyf
  1564(1564) Medium oil on oak cyf

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     Joachim Beuckelaer
     1535-1574 Flemish Joachim Beuckelaer Galleries b Antwerp, c. 1534; dAntwerp, c. 1574). Flemish painter. He came from an Antwerp family of obscure painters and seems to have spent his entire life there. He trained in the studio of Pieter Aertsen, who in 1542 had married Beuckelaers aunt; he became an independent master and also married in 1560. His earliest known work dates from that year, and his development can be followed closely to 1570. The example of Beuckelaers master remained decisive throughout his career. Not only did he take over Aertsens new repertory of secular subjects, he also completely adopted his stylistic idiom and manner of painting, so that it can be difficult to distinguish the two hands. Beuckelaer was, however, by no means a slavish imitator, and as regards execution he fully bears comparison with Aertsen.

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